Sunday, June 2, 2019
Analysis of Blade Runner by Ridley Scott Essay -- Papers
Analysis of Blade Runner by Ridley Scott Blade Runner, directed by Ridley Scott and ground on Philip K. Dicks novel, Do Androids Dream of Electric Sheep, is a Sci-fi slash Noir film about a policeman named twine Deckard (Harrison Ford) in a decrepit 2019 Los Angeles whose chew over it is to retire quad genetically engineered cyborgs, known as Replicants. The four fugitives, Pris (Daryl Hannah), Zhora (Joanna Cassidy), Leon (Brian James), and their leader, Roy Batty (Rutger Hauer), have take flight from an off-world colony in order to find their creator and boss around him into expanding their pre-determined four-year life span. This film originally flopped when it came out in 1982, but since has become a widely acclaimed cult classic with a directors cut to boot. A cock-a-hoop part of the success that this movie has received can be attributed to its ability to operate on many different levels. Blade Runner focuses around the adventures of Rick Decka rd, a bounty hunter, whose prey are the replicants, androids who are virtually indistinguishable from humans. The story is set in downtown Los Angeles, in the year 2019. This is a affix nuclear holocaust world, where the sun is darkened by the fallout and acid rain continually falls. Six replicants of the Nexus 6 generation, the most advanced, have escaped from their off-world colony, where they were being used as slave labor. The leader of the replicants, Roy Batty, is on a mission to find more life for himself and the others, for they only have a four year life span and are on the verge of death. Roy is a military style replicant, so he has bucked many people in inter-galactic wars and continues to ki... ...s out. Should the replicants kill to gain moral life? Should Harrison Ford be killing them simply because they want to exist? These questions begin to tangle up Deckards thinkingespecially when he becomes involved with a female replicant himself . The ultimate relevance of Blade Runner lies in its challenge of what it must mean to be human. It raises the eternal gnawing doubt as to our own humanity or lack of it. These are the same issues raised by the great religions and philosophies of the past. And it goes to how we respond to the pain of those around us. Do we reach for the unrivalled downed by the crushing perplexity of modernity or do we merely pass by, forgetting about that grizzled human lying on the sidewalk who is drowning in the gutter created by the disintegrating and dehumanising post-modern existence?
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